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Byung-Chul Han. Shanzhai: El arte de la falsificación y la deconstrucción en China, traducción de Paula Kuffer. Buenos Aires: Caja Negra Editora, Colección Futuros Próximos, 2016, 86 páginas
Published 2018-11-02
How to Cite
Turco, L. (2018). Byung-Chul Han. Shanzhai: El arte de la falsificación y la deconstrucción en China, traducción de Paula Kuffer. Buenos Aires: Caja Negra Editora, Colección Futuros Próximos, 2016, 86 páginas. Bulletin of Aesthetics, (42), 121–123. Retrieved from https://boletindeestetica.com.ar/index.php/boletin/article/view/20

This work is licensed under a Creative Commons Attribution 4.0 International License.
Abstract
Recognized as one of the most prolific contemporary critics of neoliberalism, Byung-Chul Han (Seoul, South Korea, 1959) studied philosophy at the University of Freiburg, as well as German literature and theology at the University of Munich. Among his most notable works are Agonie des Eros (2012), Topologie der Gewalt (2011), Müdigkeitsgesellschaft (2010), and the book whose Spanish translation is discussed here: Shanzhai. Dekonstruktion auf Chinesisch (2011).
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