Published 2020-09-21
Keywords
- David Wengrow,
- Technical Reproduction,
- Hybrids,
- Predynastic Egypt,
- Rock Art
How to Cite
Copyright (c) 2020 Aesthetics Bulletin

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Abstract
David Wengrow’s The Origins of Monsters. Image and Cognition in the First Age of Mechanical Reproduction skillfully weaves together ideas from diverse disciplines, in order to answer a problem from ancient history: why monstrous images seem to be more easily transmitted than others. Its recent re-edition provides the perfect occasion to rethink and discuss some of its proposals and arguments. Through certain “monstrous” images produced in Predynastic Egypt, some Wengrow’s hypotheses, for which he does not provide further evidence than his intuition, will be reviewed.