No. 58 (2022)
Articles

Oteiza and Huidobro: The End of Art

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  • Gabriel Insausti
Gabriel Insausti
Universidad de Navarra, España
Bio
DOI: https://doi.org/10.36446/be.2022.58.254

Published 2022-03-15

Keywords

  • Hispanic American aesthetics,
  • Hegel,
  • history of art,
  • avant-garde,
  • realism

How to Cite

Insausti, G. (2022). Oteiza and Huidobro: The End of Art. Bulletin of Aesthetics, (58), 7–40. https://doi.org/10.36446/be.2022.58.254

Copyright (c) 2022 Bulletin of Aesthetics

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This work is licensed under a Creative Commons Attribution 4.0 International License.

Abstract

Abstract: Jorge Oteiza (1908-2003) referred quite often to Vicente Huidobro, the Chilean poet, whom he met in Santiago de Chile in 1935. It is a rather unknown and enigmatic episode of his career, but in time it would bring important consequences. The archives at Fundación Oteiza include in fact three essays that provide a glimpse of the influence of the poet in the evolution of the young artist’s aesthetic thinking, specially as regards his understanding of the end of the avant-garde enterprise, an aspect that would remain constant throughout Oteiza´s career.

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