No. 46 (2019)
Archive

Rodolphe Töppfer, On the Daguerre Plate. About the Daguerrean Excursions: Translation and introductory note

Verónica Tell
Consejo Nacional de Investigaciones Científicas y Técnicas, Argentina; Universidad Nacional de San Martín - Instituto de Investigaciones sobre el Patrimonio Cultural/TAREA, Argentina
Bio
Laura Hakel
Universidad del Museo Social Argentino, Argentina; Museo de Arte Moderno de Buenos Aires, Argentina
Bio

Published 2019-03-15

Keywords

  • Photography,
  • Ressemblance,
  • Reproduction,
  • Portrait,
  • Caricature

How to Cite

Tell, V., & Hakel, L. (2019). Rodolphe Töppfer, On the Daguerre Plate. About the Daguerrean Excursions: Translation and introductory note. Bulletin of Aesthetics, (46), 69–104. Retrieved from https://boletindeestetica.com.ar/index.php/boletin/article/view/81

Abstract

First translation into Spanish of the essay that Rodolphe Töppfer dedicated to the daguerreotype in 1841, just two years after its official presentation. On the background of this new visual experience, the text traces a reflection on photography based on the difference between identity and similarity. The approach transcends the problematic of realism in photography to expand towards the field of caricature, Töpffer's main aesthetic production line, and the spiritual value of art.

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