No. 61 (2022)
Articles

The Music Critic and Zaratustra’s Ass: Nietzsche in the Juvenile Writings of Juan Carlos Paz

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  • Mauro Sarquis
Mauro Sarquis
Universidad Nacional de San Martín, Argentina; Instituto de Filosofía “Ezequiel de Olaso” (CIF-CONICET), Argentina
Bio
DOI: https://doi.org/10.36446/be.2022.61.323

Published 2023-02-18

Keywords

  • Reception studies,
  • Aesthetics of music,
  • Argentine anarchism,
  • Conviction,
  • Free spirit

How to Cite

Sarquis, M. (2023). The Music Critic and Zaratustra’s Ass: Nietzsche in the Juvenile Writings of Juan Carlos Paz. Bulletin of Aesthetics, (61), 69–108. https://doi.org/10.36446/be.2022.61.323

Copyright (c) 2023 Mauro Sarquis

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Abstract

The presence of Nietzschean philosophy in Argentina at the beginning of the 20th century has become increasingly prominent in reception studies. Among the many names that show a Nietzschean influence, the case of Juan Carlos Paz deserves special attention. Considered one of the most relevant Latin American musicians and theorists, the scope of his aesthetic-philosophical ideas offers a fertile ground for investigating this reception. This paper focuses on analyzing a possible Nietzschean influence in Paz's contributions to two anarchist publications: the "Suplemento semanal" of the newspaper La Protesta (1922-1923) and the journal La campana de palo (1925 and 1927).

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