No. 45 (2018)
Articles

Time and Scansion: Considerations on Rhythmical Meaning of Duration in Husserl and Bachelard

Carlo Serra
Università della Calabria, Italy
Bio
Facundo Bey
Consejo Nacional de Investigaciones Científicas y Técnicas, Argentina; Universidad Nacional de San Martín, Argentina

Published 2018-12-28

Keywords

  • Phenomenology,
  • attention,
  • interest,
  • rhythm,
  • aesthetics of music

How to Cite

Serra, C., & Bey, F. (2018). Time and Scansion: Considerations on Rhythmical Meaning of Duration in Husserl and Bachelard. Bulletin of Aesthetics, (45), 41–76. Retrieved from https://boletindeestetica.com.ar/index.php/boletin/article/view/37

Abstract

Inside phenomenological search, present time and instant live inside a troubled dialectic: for Edmund Husserl present runs, widening out past and future, in the same moment, like the Heraclitean bowstring which stretches between two dimensions. Gaston Bachelard, on the contrary, is the thinker of Discreteness, where temporal continuum is linked to the reciprocal differentiating of instants in the duration. So, the conceptions of time inside these philosophers seem to be opposed one to the other, but inside these two modalities of scansion we meet a steady thread, which underlies both the interpretations, which precipitate one on the other. Let’s read the taking shape of the positions inside La dialectique de la durée (1936) and in an early text by Husserl on the subject of attention.

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